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Fan Spotlight: Brian Anderson

Tribute band graphic titled “Best Imitation of Myself: A Tribute to Ben Folds Five,” featuring three orange-tinted portraits over a plaid background with a hand-drawn piano.Father, Son, and the Suburbs: How One Ben Folds Fan’s Musical Journey Led to a Family Band

By Justin Parlette

For longtime music fans, musical rediscovery is often cyclical. For Philadelphia-based pianist and songwriter Brian Anderson, the latest turn of the wheel came with an unexpected co-pilot: his teenage son.

Brian’s Ben Folds fandom began on December 26th, 1995, when he caught Ben Folds Five’s combustive performance of “Underground” on Late Night with Conan O’Brien. A lifelong piano player, he remembers his head “just exploded.” From that moment, Folds’ singular approach to songwriting, unorthodox trio setup, and dense harmonies became a lasting influence. “At the core, it was the songwriting,” Brian says. “And then, three guys, no guitar, all singing harmonies really grabbed me.”

Life moved on. Musical tastes shifted. But a decade and a half later, Brian’s son, now a freshman in high school, began curiously gravitating toward a familiar voice on his dad’s Spotify playlists. That voice? Ben Folds. “His musical brain was like, ‘Whoa, what is this?'” Brian describes his son’s reaction to the layered arrangements and jazz-influenced chord structures. “Then he kind of did his own exploration based on that and got into it.”

The result: a father-son Ben Folds tribute band. With Brian on piano and his son behind the drum kit, they began playing songs spanning the nearly 30-year Folds catalog. For Brian, the emotional core of the experience is the connection between their shared love of music and their evolving relationship. “Still Fighting It,” the 2001 ballad Folds wrote for his son, has taken on new depth now that Brian performs the song with his own son. “You’re so much like me – I’m sorry,” he quotes, pausing. “All my foibles, all the things you realize about yourself as you get older… and then you see them in your kids. It really hit me.”

Their story has resonated across the Folds fan community, especially among older fans who’ve matured along with Folds’ discography. When Brian shared early clips of the band on Facebook and Reddit, not as a marketing push but as a thank-you to the music that brought his family closer, the response was warm and global. “Australia, the UK, people all over,” he says. Everyone was just gracious and cool about it. It reminded me that this community is very special.”

While they haven’t yet caught a show together, they plan to attend the upcoming Wawa Welcome America event in Philly, where Folds will perform with the Philly Pops on July 3rd. Brian hopes his son, a developing musician with perfect pitch, will be just as blown away by the orchestral arrangements and live improvisation as he was by that first Conan appearance.

As for the future, the band is just beginning. “We don’t have a bunch of dates yet,” Brian says, “but we’re having so much fun.” And for now, that’s more than enough.

In a world of fleeting trends and disposable pop, Ben Folds’ music endures by sticking with those who grow alongside it. For Brian Anderson, that endurance isn’t just about notes on a page. It’s about a moment, shared across generations when a father and son sit at the piano and play.

“He’s not fully at that age where he’s completely embarrassed by me,” Brian says with a laugh. “So I’m gonna embrace it while I can.”

Follow Best Imitation of Myself: A Ben Folds Tribute Band on Instagram at @bf5tribute.

Sacramento show cancelled; replacement scheduled

For those with tickets or who were planning to attend Ben’s August 8, 2025 show at the Crest Theater in Sacramento, Ben’s management is announcing that the show has been cancelled, and that a new show has been scheduled in its place at the Harris Center in Folsom on the same date.

Tickets for the cancelled show will not, however, be honored for the replacement show. Ticket holders for the Crest show will need to seek a refund through their ticketing service, Eventbrite. Folds management has provided a link to request a refund: https://www.eventbrite.com/attendee-refund-request/

Further information on the Harris Center show and a link to purchase tickets can be found at the venue’s website: https://www.harriscenter.net/ben-folds

A little more detail can be found on Ben’s Instagram and likely elsewhere on the socials.

Rest of Europe solo tour cancelled

Ben has had to cancel the solo portion of the current European tour due to a case of tendinitis, which as you can imagine, makes playing the piano very difficult and painful. The show, with the band, will go on through Edinburgh on 18 November. Those holding tickets should be hearing from the performance venues shortly about refunds or other arrangements.

Ben provided the following explanation on social media:

To my European friends, I have a right case of tendinitis in my left hand and forearm, and some nerve issues in my left wrist and thumb joint. This appeared as I embarked on my UK tour, and it’s not been subtle. I can’t even tie my shoes, and it’s not from the tequila. This, I’m told, will recover. But I have been advised by my doctor to cancel my upcoming European solo shows, rest and rehabilitate. I hate that personally, and I’m sorry. As for the UK, I’m confident these are some of my best shows. The band accompanying me on the UK run is really special, and we’re ON IT. Having a band on the UK shows means I can work around the injury, simply because playing piano doesn’t require an athletic left hand. If I didn’t mention this to you, you’d never notice, except that my shoelaces are untied. So we will stay the course to finish this UK run strong in Edinburgh. But the trademark of my solo performances is a strong left hand, which I depend on abusing to create the full band sound. It’s my style. So the tour dates without the band scheduled after Edinburgh are cancelled. It was a year of looking forward to this rare tour. Not to mention I keep stepping on my untied shoelaces. My team is in contact with the venues where I was scheduled to perform, so you should hear from them soon about refunds and such. Much love and apologies, Ben

Having had nerve issues myself, and realizing that nerves are very strange things that affect you in weird ways, my sympathies are with Ben as he recuperates and regains his left-handed strength.

Underground: The Musical

We can be happy underground….

Every Ben Folds and Ben Folds Five fan knows that refrain and can sing every word about the motley crew that inhabits the underworld of pop culture in the 1990s – Officer Friendly’s “little boy” with the Mohawk, slamming the pit fantastic, nose rings installed.

Now, a theatre company in San Diego is collaborating with a local playhouse to premiere a musical featuring the characters and songs from Ben’s nearly thirty year career as a singer-songwriter. Aptly titled Underground, the musical is a co-production of San Diego’s Blindspot Theatre and the Coronado Playhouse. Blindspot’s artistic director, Blake McCarty, wrote the book for the show and works as the production manager for the Coronado Playhouse. The play has been an ongoing project for a decade, its genesis being a graduate project by New Yorkers Amy Cordileone, Donnie Tuel and Rachel Tuggle Wharton. McCarty had collaborated with Cordileone previously, and saw an earlier version of the show in 2015. During the pandemic, the group got together remotely to develop the new show, which Cordileone is choreographing. McCarty says the base theme of the show is the idea that there is good in everyone, a theme present in What Matters Most, Ben’s latest work. The show will feature bits of 40 or so of Ben’s songs, along with characters inspired by the lyrics. And rather than set in a conventional theatre, the audience will find themselves in a dive bar setting, at tables surrounding the performers in a sort of cabaret arrangement. Of Folds, McCarty says “He’s a musical genius, a musical savant who can use the keyboard as both a melodic and percussion instrument. He’s known for writing songs that are personal and full of pathos and humor that capture the quirks and depth of individual human experiences. Often he’s writing about his own foibles and flaws in a way that feels humanizing. But so much of his music is full of remarkable hooks that you can’t help walking away humming.”

Underground opens July 7 and runs Thursdays through Sundays until July 30. Tickets and more information can be obtained at coronadoplayhouse.org. 

Chicago Symphony and National Symphony shows cancelled

Ben has also had to cancel the June 9 National Symphony “Declassified” show as well. The Kennedy Center will issue refunds.

(Following was posted earlier.)

From Ben’s Instagram:

Hi all,

My Chicago Symphony Orchestra concert for Tuesday May 30th cannot go on because I’ve tested positive for Covid. I’m disappointed as hell, and I apologize to all ticket holders and to the CSO. I was packed and ready to go.

All in all, I’m alright. I’m pretty washed out, but luckily not nearly as bad as we know this thing can sometimes be. So, I’ll stay in and do promo and interviews for the new album which comes out on June 2nd, and as soon as I get my happy negative test, I’ll be out there touring. I have no reason to think anything else will need to be cancelled, but I’ll keep you abreast.

Ben